NATIONAL IMAGINARIUM IN WORLD CINEMA. A BINARY PERSPECTIVE

Posted On Jul 27 2012 by

The present paper reinforces the claim that the category of the ‘national’ and the space of the ‘national’ are to be perceived as ideological and political constructions, which, in cinematic representations, may vary from resistance to or collusion with the Hollywoodian tradition. Subsequently, we argue that there is no ideal national cinema model, which may express and explore pure, authentic national identities and indigenous cultural traditions. However, any national cinema, as part of world cinema should be able to mediate meaning and therefore has an impact on the issuing culture. Thus, national cinema becomes an ideological instrument deeply rooted in …